If youre not familiar with Englands Stereolab, youve got a lot of catching up to do. For close to a decade, these kids have been operating light years ahead of everyone else. Like a musical Jules Verne novel, their utopian future fever is hopelessly romantic and based on the best bits of the pasts packaging. Jazz, French pop, analog synths, Krautrock and the Beach Boys all swirl into their switched-on Bacharach sound.
The quintet led by sound designer Tim Gane and the ultrasophisticated songstress, Laetitia Sadier has somehow found a way to marry the popular with the avant-garde. These alchemists have turned lead into gold, honing down earlier drone-ish excursions and electronic freak-outs and subduing the gushing "la-la-las" to create their own middle ground, resulting in just what youd expect from a group with a song titled "John Cage Bubblegum."
On their seventh album, Cobra and Phases , the sound the group hinted at on 1997s Dots and Loops may finally be fully realized. With the production help of post-rock icons John McEntire, Jim ORourke and Brian Wilson-devotee Sean OHagan of the High Llamas, a smart polish and shine have been applied here. String and brass arrangements accompany the bands already lush instrumentation. More striking still is how subdued the album feels. Where overt complexity once reigned, theres now a balance of trance-inducing rhythms, meticulously interwoven melodies and harmonies, and Sadiers dreamy vocals.
While the album bursts into action with "Fuses," a sort of free-jazz bossa nova, many of the sets high points are quite low-key. "Italian Shoe Continuum" drifts along with Sadiers breathy voice sounding like transmissions from a distant planet, only to be suddenly interrupted by a blur of alarms going off before an abrupt silence. By the time "Caleidoscopic Gaze" rocks gently down the stream with its mesmerizing use of the musical saw, its all drawn you in to the point where the lengthening of the songs and hypnotic repetition mean nothing more than more time to play in the Milky Way.
Stereolab seems to outdo itself by undoing the listener and opening up endless, wonderful possibilities. Its a brave new world.
We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at [email protected].
Support Local Journalism.
Join the Detroit Metro Times Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Metro Times Press Club for as little as $5 a month.