My predecessor here reviewed this album when it was first released locally. But now that it's available internationally, with the band recently embarking on a U.S. tour, it might be time for me to weigh in and say, unequivocally, that this is one fine collection of songs. With Howl..., the Go help Detroit to bury that whole "garage" rock association (which, let's face it, became a bit of an unfortunate stigma) once and for all.
The overall sound here is somewhat reminiscent of L.A.'s neopsychedelic Paisley Underground scene ... if the Paisley Underground had produced better songs. And the Go has two terrific songwriters in Bobby Harlow and John Krautner. The two wear their influences on their sleeves, be it the Kinks (Harlow sounds positively Ray Davies-ish on both "Yer Stoned Italian Cowboy" and the wonderful "She's Prettiest When She Cries"), the Small Faces, Jefferson Airplane (a comparison that might even surprise them), the Beach Boys, the Beatles ... hell, it again may not be intentional, but the glorious "Mary Ann" appears to cop a brief reference from the Four Seasons in its charming opening moments (which would make sense in the grand scheme of things). And yet, it's all distinctive enough to totally sound like no one but the Go, making the group part of a now-fading but still occasionally surprising chain.
The riff-driven "Mercurial Girl" is hard-driving, hard-rocking psychedelic pop; the aforementioned "She's Prettiest ..." a pure pop-meets-bubblegum instant classic, simply overflowing with melody and irresistible melancholy. It takes a lot of chutzpah to name songs "Caroline" and "Mary Ann" (which Harlow and Krautner, respectively and individually, have done here), two of the archetypal girl names in past great rock songs. And yet they've come up with new compositions that actually compete or at least can still stand tall in great company. The Go aren't reinventing the wheel here so much as demonstrating that the wheel still has plenty of tread left. And Howl on the Haunted Beat You Ride, despite its somewhat pretentious title, is as good as any rock album I'm sure I'm going to hear this year.
The Go headlines a free all-ages show at the grand reopening of the Royal Oak Music Theatre, 318 W. Fourth St., Royal Oak on Thursday, Sept. 6.
Bill Holdship is the music editor of Metro Times Send comments to email@example.com.
We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at firstname.lastname@example.org.
Support Local Journalism.
Join the Detroit Metro Times Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Metro Times Press Club for as little as $5 a month.