Initially, Vaughn says, there was a lot of talk (between jamming) of trying to make something as off-the-wall as possible. No limits, really. "Let everything come, as it developed," Eikhoff says. Fourth: Why not attempt inviting more people in, try to add three more people to the group and attempt something awesome and ostentatious: dueling trios! Two drummers, two vibraphones, two bass guitars - facing off, together, musically mashing it up at once. Fifth: They, not surprisingly, found that to be overly complicated. But more so, no one fit so securely into the groove, or could flow with the chemistry, that they'd already established. Sixth: Their debut album is done, mastered to vinyl and ready to be released (May 31st @ Trinosophes). "It took us a while to get comfortable trying to be uncomfortable," Eikhoff remembers. "We were playing in 5/4 time and once we got comfy there we'd switch it to 6/4 time, then 7/4 time, and then even 7/8 time." All the elastic jams (and we're talking mesmeric droney free-jazz blended into busily rhythmic post-rock by-way-of a primal yet spaced-out/futuristic Krautrock clatter...) ...these somewhat-set-songs, transformed, Vaughn says, during the recording sessions. Reference points could be Tortoise, or Can or even Ornette Coleman...(Maybe even some Miles, Coltrane and still yet more! Ever transforming. Ever loose). ~ Eikhoff considers (Wasabi Dream) to be the "most rewarding experience, band-wise, that I've been in. Just, the time we put into it together, two full years now, and not getting sick of each other. And this laid back vibe throughout, with each of us just trying to get better at what we're doing." Some songs, says Cox, are different every time they're played or performed. One song has never actually, technically, been rehearsed. It was just captured, live, in that moment. It'll be interesting, he says, to see how these songs play out on the live stage. Keep it loose. Meanwhile, the trio is writing (or experimenting upon) new material for a follow-up.
The proper introduction to Wasabi Dream comes May 31st at Trinosophes -with the "return" of Wildcatting (otherwise known as the instrumental section of Bars of Gold) and a debut performance for Violets (featuring former members of defunct folk-pop outfit Legendary Creatures).More info here.
We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at firstname.lastname@example.org.
Support Local Journalism.
Join the Detroit Metro Times Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Metro Times Press Club for as little as $5 a month.