Arts & Culture » Movies

‘Good Boys’ is a provocative and sly challenge to our notions of what is suitable for children — and what isn’t



Parental alert! Good Boys, a day-in-the-life comedy about a trio of grade-school besties at that difficult moment right on the cusp of puberty, is absolutely not for children. In one of the film's wickedly amusing trailers, producer Seth Rogen — who does not appear in the film — informs his young cast that while it's fine for them to star in the movie, they are absolutely forbidden from actually seeing the movie. The film's ratings — R in the U.S. — is absolutely warranted ... at least by the industry's current metrics.

And yet Good Boys is much sweeter than I was expecting, and much more surprisingly innocent in its celebration of modern ascendant manhood. This is not a crass grossout, but a story that is genuinely kind to its young protagonists, and authentically understanding of their tricky positions as 21st-century kids trying to navigate a culture that doesn't much care to protect them from growing up too soon.

I'm genuinely stunned at how much things have improved, for instance, in the decade-plus on from the distasteful celebration of toxic male teenhood that was the also-Seth Rogen–driven Superbad. Good Boys is, well, supergood. (Rogen's recent wokeness — see also The Long Shot — seems actually genuine. They can be taught!)

Three sixth-grade boys (Jacob Tremblay, Keith L. Williams, and Brady Noon) spend a day bunking off school to vie against older teen girls (Midori Francis and Molly Gordon) — whom, thankfully!, they are not middle-school-romantically interested in — in a complicated plot involving drones, the mildest sort of party drugs, and making their way toward a grade-school "kissing party." Mostly it's about worrying that, at the tender age of 11, one might become a "social piranha"; securing consent to engage in any kind of physical contact with another kid; and ensuring that nothing one is doing constitutes bullying. These kids today, with their concrete physical and psychological boundaries! "We're not kids, we're tweens!" they declare, staking a claim on a developmental phase that we adults never even realized existed (LOLsob).

Yes, this is a movie full of jokes about sex toys (jokes that are funny because of the boys' ignorance about what these objects are), about looking at internet porn (which is funny because the boys are grossed out by it), and tons of other grownup stuff ... all of which is depicted with a poignancy over how charmingly naive the boys remain, even as they're steeped in a culture that is overly sexualized. (They mispronounce "cum.") The humor here is adult, but Good Boys directly addresses real things that real kids are encountering in their real lives. We might be able — just barely — to keep kids from seeing this stuff in movies, but it's almost impossible to entirely shield them from it everywhere else.

And so Good Boys becomes a provocative and unexpectedly sly challenge to our notions of what is suitable for children, and what isn't. The copious content related to sex and drugs — these are not oblique references, and there's nothing implied about any of it — are no more outrageous or shocking than what real children will be encountering in their curious considerations of and explorations in the adult world that is an inevitable part of growing up.

This is a clever skewering, too — unless it's an accidental one? — of modern Hollywood, which has no compunctions whatsoever of loading up even movies with no obvious audience beyond little kids with sexual innuendo, damaging stereotypes, and gleeful, consequence-free violence. Why is that OK for kids, but not directly exploring how such attitudes impact the real world they live in?

Did I say this movie wasn't for kids? Here's a caveat: Though it might constitute an enormous embarrassment to the children, Good Boys might be a movie for open-minded parents to watch with their older grade-schoolers, and to discuss the topics it broaches. If that's too much for parents, at least adults worried about These Kids Today can take some reassurance from this movie's depiction of kids who are handling a scary modern world in a way that's not just pretty OK, but probably downright healthy.


We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.

Email us at [email protected].

Support Local Journalism.
Join the Detroit Metro Times Press Club

Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.

Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.

Join the Metro Times Press Club for as little as $5 a month.