Perry, unable to sleep, stood staring out of his hotel room window at 2 a.m. “I was digging the idea of how the lights were facing down, so that you couldn’t see anything,” he says, recalling the night. “All of a sudden I’d see people walking out of the dark, and into the light. And the term ‘streelight people’ came to me. So Detroit was very much in my consciousness when we started writing.”
But what about South Detroit? For the love of Tim Allen, what about South Detroit? To that, Perry pleads poetic license, and ignorance, despite the fact that a quick glance at a map would have alerted him to the issue. “I ran the phonetics of east, west, and north, but nothing sounded as good or emotionally true to me as South Detroit,” he says. “The syntax just sounded right. I fell in love with the line. It’s only been in the last few years that I’ve learned that there is no South Detroit. But it doesn’t matter.”
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