This is Claude Nuridsany and Marie Pérennous follow-up to their landmark film Microcosmos (1996), which examined the mostly hidden world of insects, revealing a strange and beautiful landscape of seemingly unearthly abstraction. Genesis is technically similar, exploring the creation of the universe and subsequently, life on Earth. However, because the topic is so huge and riddled with physical and philosophical conundrums, the approach is more facile. The film asserts that each of us comes from scattered atoms and will eventually return to that mysterious state, cushioning the proposition with pleasingly appealing visuals.
The film is narrated by an African griot, a wise storyteller (apparently they couldnt get Morgan Freeman). After giving a modified Big Bang theory explanation of the origin of everything and the formation of the Earth, the narrator gets down to survival of the hungriest. But despite the scenes of sex and violence, these primal denizens arent anthropomorphically accessible. Theyre not as likable as the creatures in Winged Migration or March of the Penguins. In fact, some of these slimy crustaceans look like queasy monstrosities that David Cronenberg might have dreamt up. Still, seeing this variety of toads and seahorses, snakes and spiders going about their instinctual business, filmed up close and personal, has the intended effect of revealing natures awesome machinations. But things arent necessarily what they seem. The griot is really just an actor, his words of wisdom are a script by the directors, and some of the creatures-in-their-habitats sequences were re-created and shot in a studio. Its carefully constructed to make its nature lesson neat and palatable, and the larger questions and contemplations of creation and death are glossed over or set aside. But then the films function isnt really to explain such things; its to visually dazzle, and in that it succeeds more often than not.
In French with English subtitles. Showing at the Detroit Film Theatre, inside the DIA, 5200 Woodward Ave. Detroit, at 7 and 9:30 p.m., Friday and Saturday. Sept. 23 and 24, and at 4 p.m. on Sunday, Sept. 25. 313-833-3237.
Richard C. Walls writes about film for Metro Times. E-mail email@example.com.
We welcome readers to submit letters regarding articles and content in Detroit Metro Times. Letters should be a minimum of 150 words, refer to content that has appeared on Detroit Metro Times, and must include the writer's full name, address, and phone number for verification purposes. No attachments will be considered. Writers of letters selected for publication will be notified via email. Letters may be edited and shortened for space.
Email us at firstname.lastname@example.org.
Support Local Journalism.
Join the Detroit Metro Times Press Club
Local journalism is information. Information is power. And we believe everyone deserves access to accurate independent coverage of their community and state. Our readers helped us continue this coverage in 2020, and we are so grateful for the support.
Help us keep this coverage going in 2021. Whether it's a one-time acknowledgement of this article or an ongoing membership pledge, your support goes to local-based reporting from our small but mighty team.
Join the Metro Times Press Club for as little as $5 a month.